Description: Vintage 1981 "Photography" by Barbara London Upton and John Upton. 2nd Second Edition. 390 Pages. Contents Include:1 Introduction to Photography2 CameraThe Anatomy of a CameraThe Major Types of CamerasThe Camera's ControlsKeeping the Camera SteadyBuying a Camera3 LensWhy Lenses Are NeededTypes of LensesDepth of FieldPerspectiveGetting the Most from a LensOn Choosing Lenses4 Light and FilmMaking an Image in SilverA Characteristic Response to LightChoosing a FilmHow Black-and-White Film Sees ColorThe Polaroid Land Process5 ExposureLight Meters and How to Use ThemOut-of-the-Ordinary Exposures6 Developing the NegativeHow to Process Roll Film Step by StepHow Developer Chemicals Affect a NegativeHow Time and Temperature Affect DevelopmentExposure and Development: Under, Normal, OverThe Need for Proper Agitation... and Fresh SolutionsThe Importance of Careful Washing and DryingCare Prevents These Darkroom DisastersSpecial Development Techniques7 Printing the PositiveHow to Process PrintsHow to Judge a Test PrintPapers That Control ContrastThe Versatility of Variable Contrast PaperDodging and Burning InHow to Make Better PrintsArchival Processing for Maximum Permanence8 Finishing and MountingDrying Your PrintsSpotting and ToningHow to Dry MountCutting an Overmat9 LightingDirect LightDirectional-Diffused LightFully Diffused LightSilhouetteLight as You Find It-OutdoorsLight as You Find It-IndoorsThe Main Light: The Most Important SourceThe Fill Light: Modifying ShadowsLighting a PortraitLighting Translucent ObjectsLighting Textured ObjectsLighting Shiny ObjectsLighting with FlashSix Ways to Use FlashCalculating Exposures with FlashAvoiding Common Mistakes with Flash10 View CameraInside the Modern View CameraThe Four Camera MovementsControlling Plane of Focus and Depth of FieldControlling PerspectiveDealing with DistortionWhat to Do First-and NextLoading and Processing Sheet Film11 Zone SystemLearning the Zone ScaleZone Scale and Exposure Meter for Precise ExposureHow Development Controls ContrastA Full-Scale PrintA Flat or a Contrasty Print-When You Want OnePutting It All Together12 Special TechniquesThe World in Close-UpSpecial Printing TechniquesTechniques Using High-Contrast FilmXerography-Prints from an Office Copy Machine13 ColorTo Make Colors, Add or SubtractColor Photographs: Three Image LayersMatching Film to the Light SourceFilters to Balance ColorColor CastsShooting Color Early or LateShifted Colors from Reciprocity EffectBold Use of Direct Light/ Delicate Tones in Indirect LightProcessing Your Own ColorMaking a Color Print from a NegativeMaking a Color Print from a TransparencyInstant Color Film14 Camera VisionThe Frame: The Whole Scene or a DetailThe Frame: The Edges of the ImagePoint of View: Seeing from Another AngleSharpness-or the Lack of ItPhotographing the Light-or the Dark15 History of PhotographyThe Invention of PhotographyDesigns on SilverCalotype: Pictures on PaperCollodion Wet-Plate: Sharp and ReproducibleEarly PortraitsImages of WarEarly Travel PhotographyGelatin Emulsion /Roll-Film Base: Photography for EveryoneTime and Motion in Early PhotographsThe Photograph as DocumentPhotography and Social ChangeThe Photograph as Art in the 19th CenturyPictorial Photography and the Photo-SecessionThe Direct and Unmanipulated ImageThe Quest for a New VisionPhotojournalismThe 1950s and AfterThe 1960s and After16 GalleryGlossaryBibliographyIndex
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Book Title: Photography
Book Series: Photography
Narrative Type: Nonfiction
Original Language: English
Publisher: Little, Brown And Company
Inscribed: No
Intended Audience: Ages 9-12, Young Adults, Adults
Edition: Second Edition
Subject: Photography
Personalize: No
Publication Year: 1981
Type: Instructional
Format: Paperback
Language: English
Era: 1980s
Author: Barbara London Upton with John Upton
Genre: Photography
Country/Region of Manufacture: United States
Topic: Camera Techniques, Abstract Photography, Architectural Photography, Art History, Art Instruction, Art Theory, Fashion Photography, Landscape Photography, Photography Techniques
Number of Pages: 390
